Beware of Upgrades!
Most studios know enough to test their systems and read up on issues before upgrading the OS on their recording computers, but it's important to remember that applies to all devices in this post-PC world - even your phone. Such as the tuning app that suddenly displayed everything a half-step sharp last night after the iPhone iOS 5.1 upgrade. And I was wondering why everything seemed a little off during the warm-ups. Luckily, there's always a backup:
- Another tuning app
- A hardware tuner
Gotta be prepared . . . test and backup. It applies to every digital device.
Mastered for iTunes
Got opinions about Mastered for iTunes? These people do! And it really doesn't change all that much right now. Asking for high-quality files in preparation for higher-quality consumer files isn't a bad idea, but good recordings were already there. The new tools to demonstrate how a file sounds is a bonus, but again, but quality engineers already understood the need to test. The principle that you should always record and master to the best possible format hasn't changed, and the jury is still out on whether the Mastered for iTunes files on sale at the iTunes store really do sound better - there's a ton of other considerations about the recording process in general that could affect that, no matter what tools and guidelines Apple provides. Higher fidelity is always welcome, so let's see what's coming out next. I'm not going to get too excited right now. When Apple sells full lossless or makes low-data cost streaming available, then it's the time to freak out. I like Ian Shepard's opinion that this is a step in the right direction, but the road continues.
And, of course, folks like Bandcamp already make lossless available . . . just sayin'.
Spectacular FAWM.org Failure
Not the site at all, mind you - just my ability to actually put together an album in one month. Not sure if I'm going to blame a rather busy freelance writing schedule this month or the fact that I'm a first-time songwriter in this regard, but there it is. Got starts on three songs, nothing recorded, and definitely not the 14 tracks FAWM expected. So, I'll continue it into March. Nobody says I have to stop writing, no? Look for results on Soundcloud as they become available.
Friday’s Bass Porn
No Treble brought this beauty to my attention, and the audio clips pushed it over the edge - I love the way it looks and sounds, and I'm intrigued by the use of guitar tuners for the high strings.
These kind of posts are totally not helping with my FAWM.org efforts, which are woefully behind - maybe they'll accept an EP?
Quick FAWM Update
It's kicking my butt. So far this month, I have two songs. Kinda. And we're half-over, and I'm still looking at two independent book projects, too. Might have to amend this to FEPWM, but I'm sure they don't have a URL for that. Back at it.
The Bass Geek’s Twitter
- Lightning session at #stc12, then back home - thanks for everything, it was a great conference! 1 day ago
- The Afghan Whigs with @questlove on drums? My head asplode. 2 days ago
- New blog post: Retro-Geek Bass Porn thebassgeek.net/2012/05/22/ret… 2 days ago
- Staring at the maw of localization at #stc12. 2 days ago
- The more I read about the new @PropellerheadSW rack extensions, the more unreasonably excited I become. propellerheads.se/products/reaso… 2 days ago
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