The Bass Geek - Words about Music, Circuitry, and Fountain Square
The Bass Geek
11Feb/090

In Memory of Cachaito

Orlando "Cachaito" Lopez didn't get a lot of attention until the Buena Vista Social Club movie and album made it big, and in that he was like a lot of Cuban musicians. However, his death is a loss both for music and specifically bassists. As the nephew of Israel "Cachao" Lopez, he continued a tradition of both the music his uncle helped develop and the bass lines that made it so unique and wonderful. He will be missed.

10Feb/090

As long as I’m offering some advice to musicians and venues . . .

My last post brought to mind this list that a friend of mine posted on Facebook. I'll reprint the list here in case you aren't using Facebook (not sure if it will appear if you don't have an account), but the rest of this all belongs to Jason Hendrickson:
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1. Tip your sound man BEFORE you go onstage. Payola works!
2. Never have more effects than you can fit in one carry-on suitcase.
3. Never eat gas station hot dogs while touring in a van with 4 other people.
4. Even though you might be sick of a song, look or logo, the audience hasn't heard or seen it yet. Make it consistently good.
5. If you carry things with sliders, knobs and wires in your carry-on, you WILL get stopped at airport security. Prepare for the extra time at the checkpoint.
6. Drink AFTER you've played.
7. Wipe your strings down after you play or your fingers will be cut to ribbons the next time.
8. Blood does not necessarily affect the tone of a guitar string while it's in the middle of a song.
9. Always make sure your amp is grounded before your lips get anywhere near a microphone.
10. No matter how funny you think you are, the audience doesn't necessarily want to hear it. (refer to #6)
11. Finger calluses can be reattached with superglue.
12. Look at the audience. They want interaction, not a display.
13. Wear earplugs. You can actually hear yourself better with them in. And you won't go deaf later on (I'm learning this the hard way.)
14. These people you're onstage with are your family. Brothers, & Sisters. They know more about you than almost anyone else, and you about them. Treat them well. You can't do it alone.
15. Never trash-talk another band. Someone ALWAYS knows them.
16. Interactions with "industry" people at an otherwise pleasant party should be considered long-term negotiation.
17. Hearing your music on the radio/TV/Internet for other people to enjoy is one of the best feelings.
18. The backbone of the song has to be there before the hook can work.
19. Cherish any fans you have. Sign autographs, sell CDs & T-shirts. They promote you better than you could ever do.
20. Never put more words into a lyric than your lips and tongue are capable of producing after a few drinks.
21. Never stop making music. Pausing for a while is okay, but, it's going to start itching in the back of your brain before long. It's best to let that caged monkey loose.
22. Smile. It's supposed to be fun, right? If you're not enjoying it, neither will the audience.
23. If you make a mistake, keep going. Nobody but you and a few people noticed. If it was THAT noticeable, make a show of it. Play to your strengths.
24. Even if the band beer is free, tip your bartender (more than usual, as well.)
25. Making it work involves more work than working at a day job.

8Feb/090

Sam’s Saloon Closes For Now

My weekend update of Fountain Square musical happenings will look a little lighter in the weeks to come. Unfortunately, Sam's Saloon has been forced to close its doors due to the prevailing economic conditions. Both musicians and fans will be missing the opportunity to play the venue, and there's no time table for if/when they might return. It's rough times right now for everybody that plays music. Here's hoping that conditions improve soon - it's not easy, even in the good times, to do well playing or showcasing music when you're booking at a local level.

Not that it can't be done, but this is where people have to exercise some creative thinking. It's time to look for new venues and new instances to play music, and it's also time to make yourself as easy to book as possible. That doesn't mean giving up the money you should be earning, but it does mean having your arguments together for convincing potential venues and acting like a professional at all times. That last part applies to musicians and venues alike, by the way.

5Feb/090

Fountain Square Music This Weekend and new IMN Podcast

It's First Friday this weekend, so there's plenty going on in Fountain Square. Couple that with the warmer temperatures, and you should have hordes of people making their way through the district. You should also find plenty of slush puddles and other unholy conglomerations of snow, ice and dirty water. Walk around it, and please accept my apologies.

Big Car Gallery has Mandy Marie and the Cool Hand Lukes, Ayawasca and Sam Eakin and the Awkwards tonight as part of their Two States, One Cup exhibit. I'm more than a little scared. Of the art, that is. The music sounds great.

Radio Radio opens tomorrow for the monthly appearance by Bigger Than Elvis.

Sam's Saloon brings in The Rockit King, Save The Radio and The Dead Records tonight. Steal This Release Promotions takes over Saturday night to feature IDK, The 12 O'Clock Flashers, and Vestiges of Ecstasy.

Deano's Vino has The Travelin' Hillbillies tonight, and Wilson and Company play tomorrow.

Also, there's a new IMN podcast up - download it here or listen at the site or WFYI HD2. Sorry this is late - I've been a bit busy.

4Feb/090

Short Words of Wisdom from the Bassists Themselves

Bass Musician Magazine has compiled quite a few quotable truths from famous bassists at their site - just click on the quote on the left to see what your choice has to say.  I like the idea of having these short nuggets of wisdom available, but I'd almost like to see this take the shape of a Twitter account or a random header on the site.  Even a virtual magic 8-ball.  Here's an interesting quote from Jerry Watts:

"I find in my experience that people "play" who they are. What I'm hearing them play, beyond chops and technique is actually "who" they are, and that seems to be true among good musicians."

3Feb/091

What a great gig . . .

In all of the excitement over the Steelers 6th Super Bowl victory Sunday, I forgot to take note of one impression that hit me during the halftime show.  Well, two impressions.  First, I'm glad that I never became a cameraman and therefore avoided any traumatic collision with Bruce Springsteen's groin.  Second, Garry Tallent has a great gig, and what a wonderful thing that is to have.  He's not the most celebrated member of the E Street Band, but he's always played a vital and driving role in the music with some fantastic bass lines.  Live or in the studio, it always fits in so well, and the best songs feature his work prominently at some point.  What a ride to take.  Even without the success that comes along with it, I think that his work is something any bassist would aspire to.  Nice work, Garry.

2Feb/090

Pass the oxygen mask, James.

I've seen the Steelers win Super Bowls.  I've seen them lose one.  I much prefer the former.  And that's why last night went pretty well, barring the heart-stopping, last-minute heroics.  Perhaps it was the anticipation, perhaps it was the extraordinarily spicy chili.  There really isn't any way to be sure.  Nevertheless, this makes the long, boring off-season that much easier to tolerate.

Also, a quick tip: replacing the slow-blow fuse in a combo amp can make a huge difference in an amp's function.  The challenge is trying to match the fuse without documentation or manuals.  My particular Trace Elliot combo is no longer in production, and the company isn't even the same company.  Fun stuff.  I finally found one that worked, and my amp was back up to the normal "Don't-turn-it-beyond-2-if-you-want-your-house-to-live" volume.

Finally, I started a full-time writing job today, so I'm looking forward to spending that much more time in front of the keyboard.

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