Fountain Square Music This Weekend
Radio Radio features acoustic singer/songwriters Joshua James and Corey Chisel for a night of introspective and alliterative music.
Sam's Saloon has Deacon Sean and the Bar Brawlers with Yes Yes Take Off Your Dress tonight. Saturday is a metal-filled night with Rowco, Devils of Belgrade, Marionette and The High Council.
Deano's Vino hosts New Augusta tonight and the John Harden Project tomorrow.
Progress continues on the former Fountain Tavern as the current Ugly Monkey owners expand the place with a patio and some other features. I understand it's supposed to be open in the next month or so. No word on music offerings if any yet. And we have a sort-of return of a coffee shop to the neighborhood (if you count a coffee stand in the local bike shop). Also, the Virtual Scavengers have re-opened a small storefront in the neighborhood, making computer recycling that much easier.
If the Hold Steady would just skip Pitchfork and route their tour through Radio Radio this weekend, I'd probably never have to leave the neighborhood again.
I Thought You’d Be Bigger
I don't actually own a Wii, so I can't comment on the pan-gender, age-neutral fun to be had from playing this system. Still, the announcement of Wii Music (which incorporates the ability to control up to 60 instruments or conduct an orchestra) seems like a bonus for the musically inclined gamer. And it fits the system rep well - Guitar Hero and Rock Band allow the unleashing of your vulgar, profane inner rocker, while Wii Music encourages exploration and safe fun in a group setting. No word on whether it approaches the thrill-a-minute spectacle that was 3rd-grade recorder lessons.
The Onion does a great job summarizing the masterful piece of cinematic craftsmanship that is Road House in this recent article. Still no mention of the late Jeff Healey as Greek Oracle, though, which disappoints me. Perhaps that is my own dissertation to write.
To link the two subjects together, I propose a Double Deuce level for Guitar Hero. Imagine the chicken-wire-encased, bloozy fun to be had!
Does Last.fm pay up?
So Last.fm is paying royalties to unsigned bands that aren't affiliated with major labels or (it would appear) organizations like ASCAP or BMI. On the surface, it only makes sense - ASCAP and BMI have traditionally relied on journals or random sampling from those that played the music, and digital programming makes it a lot easier to see what exactly gets played. This makes more sense for smaller artists whose individual plays might be ignored in favor of the artists who received far more spins. It doesn't look like last.fm would make anybody rich off of these limited spins, but it's something.
Hypebot makes the move look a lot more pragmatic and mercenary than it might on the surface, and there's a kernel of truth to that, too. Merely offering something is more enticing to individual artists who haven't been getting anything up to this point, so it might seem like a good idea to take whatever the payment is. Plus, the artist can sign up themselves, without dealing with management or lawyers or the like.
It's worth noting here that just because you can doesn't mean you should, though. The temptation to get something could lead to selling yourself short, and it's not a bad idea to check with the experts to make sure what the best move is for you. Opinions on the actual rate seem to vary, so make sure you're comfortable with the rate (listed on the Last.fm site as 10-30% of their net revenue for your play on that service - not exactly a hard number) before you sign up.
In any case, transparency is key to these agreements. Artists need to know up front what they're making and get a fair and accurate accounting of their royalties. It's a lack of that information that helped set up the broken system musicians are faced with today.
Back To Life
That little truss rod adjustment has really brought the Stingray back to life - it's playing like a dream now, and it sounds great. Which is good, 'cause rehearsals are running long. Quite long. Still, the music is a joy, and I've got space to do some cool stuff within the ensemble.
I'm also doing some beta software testing - nothing worth commenting on, but just some fun playing around with a new program. It's fun to try and break these things.
Still working through "The Music Lesson" - comparing a book to the work of Carlos Castaneda isn't the best way to appeal to me (I tried in college, and it didn't take. At all.). Some of it is interesting (especially the learning music through immersion parts, although that's been tackled by Suzuki), and some of it I already do, just not as framed in the book's terms. Some of it makes me want to kick a hippie in protest. Such is life - I suppose there's a lesson to be learned there as well.
Fountain Square Music This Weekend
Radio Radio has alt-country upstart Tift Merritt tonight and local goth rockers Form30 tomorrow night. Why they're not sharing a common bill, I have no idea.
Sam's Saloon features the hello/goodbye act of Miranda Sound tonight (they're releasing their new CD, then breaking up). Kansas City's The Rumblejetts join Bloomington's Phantom Cruisers for Saturday night's bill.
Big Car Gallery has Pravada and Grampall Jookabox at tonight's kinda-sorta First Friday event.
Deano's Vino has The Michael Houston Group this evening and Doris Davis Saturday night. And it's Swing Night at the Fountain Square Theater.
Stop That, You’ll Go Blind
According to this article on Musicradar.com, it's possible to headbang so much that you actually and probably permanently lose your vision. This bassist proves it. One can only shudder at the upcoming collision of health insurance policies and those that rode the New Wave of British Heavy Metal back in the 80s.
The new IMN podcast is up - download it here or listen at the site.
Nothing’s Broken So Far
The first run-through of "The Wiz" went pretty well, considering I've only had the music for a couple of days. My equipment also managed to avoid any unforeseen accidents and stray radio signals, so that's a bonus. The Stingray 5 sounds great on this kind of music, too, and the recent truss rod tweaks feel fantastic.
Now that I've set my gear up for a monumental crash during production week, on with the show.
Some Good, Some Bad
Most of my month's allowance from eMusic (it's like I'm getting it from a parent, isn't it?) was spent on TM Stevens tracks - this bassist just had his albums go up electronically, and it seemed better to get them than just have the work he did on the "VAI" project (ugh). For the most part, it's pretty good metal-like funk tracks, with some interesting instrumental textures thrown in for variety.
And hey, there's a track with Dr. Know! Great!
Except that the same track has Nuno Bettencourt on it.
Meh.
First he tours with King's X, now he's finding his way onto some other albums I own.
Out with you!
Obsolescence Pour Les Nuls
With the retail passing of Windows XP on June 30th, it looks like my first title (Windows XP Digital Music For Dummies) is pretty much obsolete as well. With XP continuing beyond what was supposed to be its end date following the debut of Vista (and all that it has wrought), it had a longer life than I expected, and material from it keeps popping up in other Dummies titles. The only reason I thought about it today was the appearance of a French translation of some of my material in my hands.
What I'd really like to see is some of the material end up on Wendy's tables, like the old newspaper ads they used to use.