The Bass Geek - Words about Music, Circuitry, and Fountain Square
The Bass Geek
17Mar/080

Weekend Music Findings

Confidential to one of the bands I saw Friday night: if you invite me to use the door during the intro to one of your songs, and you're just not all that good, I'm gonna take you up on it.

Otherwise, I spent most of the weekend going through the score for the musical Victor/Victoria, for which I'll be playing bass in April and May at the American Cabaret Theater. It doesn't look too hard - it's just been a long time since I've had to read through an actual score, so I'm trying to get as familiar as I can with it before rehearsals start in about a month.

I also had the chance to toy with recording MIDI to Sibelius, and the process was light years ahead of what I went through when writing the bass book about a year-and-a-half ago. It tracked well, looked good, and it only required minimal manual correction. Sibelius is my new best friend. It's sad I'll say that about software, but it's true. I'm now looking for things to notate just so I have an excuse to do so.

14Mar/081

Fountain Square Music This Weekend

Monster acoustic guitarists (monster in talent, not in intentions or appearance, although I would most certainly pay to see zombie guitarists . . . at a distance) Andy McKee and Nicholas Barron return to Radio Radio this Saturday. I'm seeing Radio Radio host more and more of these type of events, so keep checking back with them if you like this sort of virtuosic playing.

If you prefer louder fare, Sam's Saloon hosts a night of metal Saturday night featuring Solomon Grundy (he broke up with the Legion of Doom and went solo, evidently), Pulse 8, Piss Off, and Black Stone Ritual.

Since the previous shows take place Saturday, you've got room to learn some swing dancing at the Fountain Square Theater with the Indianapolis Jazz Orchestra. You could also take in Jude's Jugs Band tonight at Deano's Vino, or wait for John Harden Pope tomorrow.

Incidently, this whole weekend seems to be ramping up to St. Patrick's Day on Monday, with a fun run/walk this weekend (fun for some, I suppose) and multiple events courtest of Deano's Vino. They're even shoving shamrocks in the fountain. I'll do my part by blasting some Black 47, I suppose.

13Mar/080

New Podcast Up

The new IMN podcast is up - listen here or download it directly, should you desire.

I already geeked out a bit on the show, but I'm really looking forward to the Mike Doughty show next Wednesday. Soul Coughing hooked me, and I guess I've been along for the ride since then. I'm guessing this show won't be as loud as the SC days (where a Vogue visit required a prayer to the feedback gods after experiencing possibly the loudest blast of unintentional noise I've ever heard - full PA squeal at concert volume) but engaging nonetheless.

12Mar/080

Bass Overdrive

I'm lusting for a bass overdrive pedal right now.  Something that just cranks and snarls and generally makes a blasted noisy mess of itself.  It makes no sense for any of the shows or projects I have coming up - explaining its presence in an A.C.T. show would be nigh on impossible, and it would probably drown out anything in the other two groups.  It's not the least practical, and yet I want one.

Gear acquisition syndrome makes no sense.

11Mar/081

Something works, something doesn’t . . .

Sometime last week, I got my copy of "Composing Digital Music For Dummies" in the mail - I've just had the briefest time to flip through it, but it looks remarkably like it did when I knew it as conglomeration of pixels.  And that's pretty good.

I'm also going to get to test the "lifetime warranty" of one of my cables.  I'd gotten used to throwing these things out, but none of my previous cables ever made me any promises.  It was a strictly at-will affair.  This cable, though - this one will be held to its word.

This might be the perfect lead-in for a treatise on disposable culture, but I'm actually seeing some companies stand behind their products with a minimum of effort on the customers' part, and I like it.  This process will then serve to reinforce my current glad feelings or tip the scales in the direction of vast corporate misconduct.  All this rides on a little cord.

10Mar/080

Some Quick Reviews . . .

I'm getting a little backlogged on my podcasts and new albums, but here's a little catch-up on what I'm listening to right now:

  • Erykah Badu - New Amerykah, Pt. 1: The first time I saw her was after she released the wonderful Mama's Gun, and the concert was magical - one of the best shows I've seen.  The next time I saw her was a meandering affair - still good, but not quite up to par.  I get the initial impression from this album, too.  There are some fantastic cuts and great work with folks like Madlib and Georgia Anne Muldrow, but it doesn't feel as cohesive as previous works.  I have a feeling that could be remedied by listening to it with the second album, coming later this year.  It deserves repeat listenings, though.
  • Mike Doughty - Golden Delicious: Some new songs and a re-working of "27 Jennifers" makes for a pretty decent album.  Going in, you know you'll get Doughty's trademark voice and somewhat opaque lyrics, but he puts forth some tight tracks, and the whole album makes for a good listen.  He manages to retain a good balance between the acoustic elements and more electronic layers in the songs, too, with the electronics making their presence felt a little more than in previous solo material.
  • Free Form Funky Freqs - Urban Mythology: I'm a sucker for these albums, and I sometimes end up being quite disappointed in them.  Tossing together a few musical heros and seeing what they come up with doesn't always make for a good band or recording, and sometimes it makes an unlistenable mess that people want to hide in their closests, in their basements, or under dense lead shielding.  Vernon Reid, Jamaaladeen Tacuma, and Calvin Weston manage to avoid those pitfalls and put out a trio record that seems to leap off from Band of Gypsies-era Hendrix, route through the "downtown" jazz scene, and amp it up a bit.  The result is an electric record that improvises without meandering and always remains vital and fun (the latter part lacking in a lot of these types of efforts).

I still have to get to some eMusic deals, like Matthew Garrison and Peanut Butter Wolf, but those will have to wait for a bit.  I also notice that I'm not straying from my comfort zone much - maybe the podcasts will help.

10Mar/085

ZOMBIES!

Is it bad that, during a recent viewing of George Romero's "Diary of the Dead," the plot point that most tested my suspension of disbelief was the fact that a MySpace page took 72,000 hits in 8 minutes without crashing?

The movie slapped the inevitable zombie apocalypse upon a treatise on social media and who controls the source and flow of information, so it was interesting from that standpoint.  Nothing new on the issue per se, but it was an interesting look at the role of user-driven media to bypass the possible pitfalls of mainstream sources (assuming, of course, that computer networks remain up and viable during said inevitable zombie apocalypse).  There was a little too much "How does it feel when the camera is on YOU!?" dialogue for me, as this concept has been addressed in countless other movies.  It's probably better saved as for rental, but the sight of Samuel, the deaf Amish zombie killer with a chalkboard and a killer pick axe, is definitely worth the investment.

7Mar/080

First Friday in Fountain Square (and stuff on Saturday, too)

Radio Radio has Antoine Dufour, Craig D'Andrea, and Peter Ciluzzi tonight for an evening of acoustic guitar madness.  Tomorrow night is Red Light Driver, Small Arms Fire, 8-bit Revival and Aviary Ghost.

Sam's Saloon has Lord of the Yum-Yum and OTTO tonight, and The Roundups, The Punkin Holler Boys and the Passengers tomorrow.

Big Car Gallery has Amo Joy, Vagabonds of the Railway, Paper Son, and Gill tonight.

Deano's Vino has Andy DeCarlo and The Travelin' Hillbillies tonight and Doris Davies tomorrow.

Finally, Cognizant Coffee Company has a DIY DJ night tonight - bring in your own iPods and scare folks with your musical taste.

6Mar/082

Sadie

The irony of a musician owning a deaf pug was not lost on me, but it meant that I never got a quizzical look when I hit the wrong notes while practicing.  It also meant that I could sneak up on her and give her belly rubs before she even knew it was happening.  And those are but two of the reasons why I'll miss her.

5Mar/080

There’s a New Podcast . . .

You should go get it at this link.  Or listen to it on the Flash player.

Also, the super deluxe version of the Trent Reznor "Clouds" collection has sold out.  Not bad, although I suspect we'll see some copies on eBay in the near future.

I'm going to go take care of my dog now. 

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