The Bass Geek - Words about Music, Circuitry, and Fountain Square
The Bass Geek
4Oct/070

The Bird Is In The Nest

I gave the new P-bass a run through its first rehearsal today, after having the nut replaced, getting a new knob and other hardware, and slapping on a fresh set of strings. It sounds great, and it's already broken in (after 30 years of fairly hard living, it should be past that new-bass awkwardness, ater all) and wowing the folks in the Warner Gear. I've decided the thumb rest is going back on, but I'm still on the fence regarding a new finish. There's some exposed wood, dings, and screw holes that I'd like to cover. Still, it just has that feel to it that I'm kind of loathe to change. I'll give it a whirl at next week's show and decide where I want to go from there.

On a totally unrelated sidenote, changing a car battery in a Wal-Mart parking lot just after rush hour sucks, and I wish it on nobody.

Finally, there's a new podcast up - enjoy.

3Oct/070

Murdereggs

We're only about a fourth of the way through the first Metalocalypse DVD, as far as episodes go. I did, however, stumble across a few of the easter eggs (press "up" from the first menu choice and look for the red highlights on eyes, a moustache, and the Dethklok logo), and the one that hit home was the guitar lesson. It captured PERFECTLY the instructional videos I used to horde when I first started learning bass guitar. They were helpful, but they aligned themselves in a lot of ways with the "shredder" style of playing. They got the tablature on the screen, the uncomfortable dialogue, and the potential alcohol problems down pat. It pleased me greatly, and it made me want to dig out the Stu Hamm tapes again (he could play the "Star Spangled Banner," man!).*

Hell, I almost want to try playing some progressive metal. Break out the 7-string bass and let's jam some Fates Warning, man!

Next DVD rental? Most like "Flight Of The Living Dead." While I'm disappointed there won't be a theatrical release for pure "Snakes On A Plane" pleasure, it should still be a fine viewing.

*In the interest of full disclosure, I still break out the main riff from "Country Music (A Night In Hell)" occasionally, whether it's covering for a broken guitar string or just wanting to annoy my bandmates.

3Oct/070

The Age of Reason

I'm still getting used to some new software - the new edition of Reason is now loaded on my laptop, and I'm try to play around with the new features a little bit. Reason 4 tells you who I am!On first blush, the new Thor sythesizer is pretty spiffy - I was able to tweak some interesting sounds out of it, even though there's a dangerous amount of knobs and controls on it. Since the primary use I have for Reason is live performance, the soft synth capability is key to me. I can appreciate the new tweaks for lanes and vector-based envelopes, but I'm not sure how much I'll use that on stage. Same for the ReGroove function, although I could see the arpeggiator making its way into some of the live patches.

Oh, sure, there's the possibility of using it for actual recorded tracks, but I've learned something about myself - as a songwriter, I seem to make good ringtones. Thirty or forty sketches, about thirty to forty seconds long, and that's what I've got. The scoring project was a step in the right direction, I think, but even then I used more loops than I was really happy with. There's some more music work coming down for me to handle, and I'm going to try and stretch a little bit on that. It specifically involves a lack of loops, so there goes that crutch right there.

I think I'm just used to creating bass lines for the songs I play on. Once I'm past that, it gets a lot harder. Not so much that I want to actually play guitar or anything, but I do want to see what else I could put together on top of the rhythm section.

2Oct/070

Bass Porn For Today

Right now, this guy is thinking . . .

Bass . . . too . . . big!!!

"Man, I sound just like Lemmy multiplied by 4.5 times!"

1Oct/070

You Can Go Your Own Way

Let me preface this by saying I'm not a huge Radiohead fan - I think my wife may have an album or two of theirs, and I bought a tribute album for them by primarily R&B artists. My personal theory is that their songs sound better played by other people, but that's just an opinion, and I don't want to anger any Radiohead fans right off the bat.

That said, it's undeniable that they have a vocal and loyal following of no small consideration, and that following serves as a study ground on which to anchor their newest venture - the "pay-as-much-as-you-want" digital release of In Rainbows. Fans are asked to pay what they think the files are worth (one report on the Velvet Rope bulletin board had the website duly accepting a price of zero), and they get the files. There's also a boxed set with enhanced content and a "proper" album release coming out later.

EDIT: I tried the 'zero' route and it still asked for credit card information. So while I'm incredulous about the free story, I did at least witness the customized pricing window.

SECOND EDIT: I tried it again, and evidently the credit card information was just part of the new member registration.  I skipped it, and with a registered profile (which asked for your home address and mobile phone #) I was able to get a confirmation page for a free download available on 10/10.  If it works, I'll have to buy the album just to support their experiment, I suppose.  I might also have Thom Yorke asking me why I felt the new album was worth nothing.

LAST EDIT: They're now charging enough to cover a credit card fee (about $.90), even if it doesn't make sense because you're not charging a credit card. Eh, still a small fee.

This move probably won't benefit smaller artists without Radiohead's fanbase (a fanbase built while the band was on a major label, in all fairness) in the short term, but it points to an interesting sea change. Radiohead was one of the artists "holding out" on iTunes and other digital services, and there was speculation as to which way they'd go when it came time for digital releases of new material and back catalog. Turns out that they're striking out on their own.

And while it's a bold move, it still leaves some issues unresolved. Radiohead still has an established reputation - even as bold as this maneuver is, they're still banking on their past work and fan loyalty for this experiment to succeed. The promotion and street work has pretty much been done, and they're getting plenty of publicity through word through viral marketing and press releases. What it does accomplish (in addition to promoting the new release) is seeding the idea that this is both possible and viable. Getting people used to the idea means it's occur more naturally for other artists - don't worry about the label, just put it out there and see what you can get.

This isn't going to kill iTunes or download services in general - people will still probably need gatekeepers and tastemakers to help them find music. But it is pointing to the fact that artists may not need these gatekeepers and tastemakers indefinitely, and it might not be such a bad idea to lead your own parade.

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